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A new knee — a new beginning?

July 29th, 2010 · ·

Tomorrow I’ll join Liza Minelli, George Hamilton, Angela Lansbury & Jane Fonda at the knee party.  It seems that each of them had a full cup of tea — a total knee replacement — while I’m hoping I’ll only have a sip — a partial replacement.

Trying to maintain the left knee I came with has been a 7-year, downward spiral including:

  • arthroscopic surgery (yuck)
  • physical therapy (of course)
  • an unloader brace (yuck, yuck)
  • cortisone (whee!… and then darn!)
  • cranial sacral osteopathy (yes!)
  • accupuncture (good for the short term & many other ailments, but my benefits ran out)
  • Gyrotonics (conscientiously seeking the parts that benefit my body)
  • swimming (oh yes!  weightless!)
  • bicycle-riding (also not weightbearing)
  • glucosamin-chondroitin (eh)
  • anti-inflammatories (oh yeah)
  • unfortunate compensatory outcomes in my lower back, right shoulder & left neck & arm (yuck to the nth)
  • an inversion table 2-3x a week (to help the compensatory outcomes in the lower back)
  • daily hot tub & jets (first thing out of bed, to help me get up the stairs)
  • did I forget anything? oh yes… Pilates, Bartenieff fundamentals & a bit of Feldenkrais
  • oh, and a modified lifestyle (minimal gardening & walking, no hiking, no level changes or jumps, kid-demonstrators in class)

And all the time I’ve been figuring my future held a new knee…

Well, it’s time!  What I would wish for on a grand scale, of course, is to able to do everything I ever did before, including tap dance! But that’s not going to happen.  What I really hope for is to recover things I’ve given up: walking, some light dancing & pain-free sleep.  That would be a new beginning.  Stay tuned — I should know in a couple months.  And if you’re facing similar issues, feel free to comment or chat — I think the knee party could do with a little more conviviality.

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Summer reading — Margret Deitz: A Dancer’s Legacy

July 27th, 2010 · ·

In 1972, Margret Dietz died, and my path veered. I wasn’t the only one pulled into new directions by her magnetism. This year, 38 years after her death, three of my fellow pathfinders from that time have published a book about Margret’s remarkable life and gifts — and influence. By gathering interviews, photographs, documents, & remembrances, they’ve pieced together a narrative that captures who she was: a powerful choreographer, a vivid woman, a lifelong explorer, a spell-binding dancer & a master teacher, spinning the silk threads of her dance classes just so — in order to capture us all in the web of dance.

Margret Dietz: A Dancer’s Legacy, by Elizabeth Freeman, Marie Nickell, and Linda Lee Soderstrom, follows Margret’s time under her mentor Mary Wigman… her passion for justice as a survivor of World War II… her years teaching in higher education at the University of Illiinois, University of California, DePauw University, and University of Minnesota, with stops along the way at the American Dance Festival and Connecticut College… her final years of building her own studio & company in Minneapolis.  Her story is interesting, the story of any artist, finding a way to pursue passion throughout a lifetime.

But Margret was a teacher, and this is a book to inspire any teacher.  Her classes were performances, but not just for her.  Within the course of a class, Margret swept & coaxed & nudged & transformed her students from wherever they started to the soaring level of fully committed dancers. A Dancer’s Legacy succeeds best in its descriptions of Margret’s teaching style, and it’s invaluable as a signpost pointing the way to good teaching. I’m glad to be reminded so vividly why I teach dance. It’s all been coming back to me this summer, reading Margret Dietz: A Dancer’s Legacy.

Back to June of 1972. Having just graduated from college, I was working as a summer intern in Washington, D.C. when news came of Margret’s death — so early, so young, as she was finally working with her own company. I finished the summer & returned to Minneapolis to capture what I could of Margret’s influence from those who’d worked most closely with her, among others whose lives changed directions when they met her.

I love summer reading …what more could I ask than a return to where I came from & a reminder of why I’m here? But I think this is summer reading for others too, even if meeting Margret for the first time. The photographs are fabulous, and the descriptions of excellent teaching work for any subject, where you can arrive as a novice & experience the joy of success.

Thanks to my sister, for finding the book & bringing it to me!

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Note to self: boys & girls dance differently

June 27th, 2010 · ··

Well, duh.  In some styles of dance, of course, boys & girls, men & women learn the same moves — contemporary, modern, tap.  But in most cultures, as well as ballet & jazz, boys & girls, men & women have distinctly different styles.

Coming from a modern background, when I first started teaching in the public school setting, I had the kids work in mixed-gender groups. Almost every time, the mixed gender groups would split into two single-gender groups & create complementary [or sometimes just simultaneous] choreography. Over the years I’ve gravitated toward having the intermediate kids (4th & 5th grade) self-select their groups — and, with a few exceptions, they self-select single-gender groups.

Recently, my 2nd graders performed a series of partner dances, and their teacher paired them for performance. She put Charlize & Jacob together, and their reflections remind me once again that boys & girls dance differently! Neither the audience nor I were aware of this little drama during the performance…

When we performed, I felt bad because of Jacob being fast and hard!!!!!! I learned how to be come (calm) not CRAZY!!! But I wish I wasn’t with a CRAZY!!! Partner! I just want a come (calm) partner! JACOB was so CRRAYYZZYY!!!!!!!!!!!!!!!!!!!!!!

When we performed, I felt so exited I gragd Charlize to the front of the stage. I learned when you dance it doesn’t mater if it isn’t perfect you just have to be good, dance, and have fun.

Note to self, a reminder: Boys & girls who choose to dance together do a great job, but don’t force it!

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I like this…

June 27th, 2010 ·

This, via Linda Osborne… I’ll file it here, so I remember to use it later as a good video to show my kids. Most of them won’t have seen it. There’s a great moment of unison movement & a lot of conversational movement (taking turns moving & “listening”)…

watch?v=7lrUZKPtJP8

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Post-performance reflection: 2nd grade

June 25th, 2010 · ··

Another year ends...

Although my space is clean & clear,
I’m still processing the end of year…

For many years I’ve gone directly from the close of school to teaching an intensive graduate course on “Learning through Movement.”  It’s made for a grueling transition to summer vacation, but it’s always given me a chance to take a long view on my work by spending 2 weeks on my soapbox, in support of dance education.

Last year, the university responded to the down economy by canceling summer electives, so I did my year-end processing by leaving immediately for New York City to present at the NDEO Conference.

This year, summer vacation is really here ~~ no teaching, no travel til later… unstructured time with nothing but a list of “to-do’s.”

But still the urge to process the year gone by.  So I’ll continue looking at the kids’ reflections.  … to enjoy them & mine them for developmental changes that occur from kindergarten to 5th grade, as well as for insights about teaching.  I’ve already highlighted kindergarten & 1st grade

2nd graders danced a medley of cultural dances for the end-of-year performance:

Yakyu ken, a dance about baseball from Japan that has a lot in common with Tanko Bushi & the variations of it that are performed at Obon,
Brown Jug Polka, or Heel ‘n’ Toe Polka, a circle dance with partners from Australia,
and Sasha! from Russia.

And here’s what 2nd graders had to say (let your mouse hover to see if it’s a boy or girl responding):

When we performed, I felt nervous and ecxited at the same time. My stomach was doing flipflops. I learned don’t be nervous. Forget about the crowd and just do what you are supposed to be doing. and you will do a great job.

When we performed, I felt nervous because my mom and my little sister was stairing at me. I learned that you don’t have to be afraid to dance while the audience watch you dance. you can be shy some time but not every time. dancing is really really fun.

When we performed, I felt surprised of how many people I had to perform so many people. I learned that you don’t have to be shy to perform and you have to brave also you got to dance with all you potent energy also you can do different and awesome moves.

We did the “Baseball” dance, “Brown Jug Polka,” and “Sasha!” for our friends and families. When I was danceing in front of the friends me and Flora were haveing fun too on stage and we laugt to much and when I see my grandpa and my uncle and my baby cusin Steven I was haveing more fun and just made them in jonie it and when I was danceing in front of my famally and my famailly friend I was realy scrad and. But it was fun anyway so It wasn’t scary to more and I realy injoyit when my teacher show me the dance I dance it was realy realy fun I realy like it so much this is all I have to say. And one more thing my teacher is the best and she teach us everything we need to do and I just like it so much and the performis is so fun and I am realy enjoy it when I was dancing in front of my family and in front of my friend.

When we performed, I felt fhy, happy, and it was so amazing. I learned that my dad and my mom saw me dance my dad and mom said to me that was amazing.

When we performed, I felt happy and shy scared. I learned that it’s hard to go up stage, and permore to eyerone in the school looking waiting for you to performe. My parents said you did a great job.

It was real fun. I lots of fun with my partner and I fell imprest of my self. I liked what I did. I was realy happy of what I did about my self. I felt kind of shy.

We did the “Baseball” dance, “Brown Jug Polka,” and “Sasha!” for our friends and families. I was kind of shy but when it was the middle of the dance I wasn’t shy anymore because no one laughed and me and Khaleea were adding some tricks to dance when we were doing the Parade. My mom was videoing me and my mom said go Malyun go you rock!

I find it interesting that kids expressed similar thoughts, regardless of the different sentence-starters I gave them — they talk about their feelings, their partners & who was in the audience…

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Summer homework: Dance Day

June 20th, 2010 · ··

Tomorrow’s the last day of classes.  With my 4th & 5th graders, we’ll watch the Dance Day video & I’ll give them their summer assignment. Here it is…

Summer homework
Learn a dance, get some exercise & celebrate Dance Day on July 31!

Go to www.dizzyfeetfoundation.org & click on the Dance Day video, where Napoleon & Tabitha (choreographers) teach a hip-hop routine.  Play it as many times as you need to & practice until you can do it with them!

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the most diverse zip code in the country

June 17th, 2010 · ·

Evidently my school sits in the most diverse zip code in the country! Here’s a video

No wonder it’s such a great place to work!

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4 dancers: a blog for …you guessed it… dancers!

June 14th, 2010 · ··

And today I’m honored to be the featured interviewee!  Check out my interview for more questions than you ever thought to have about me!

And while you’re there, take a look around.  4 dancers is a blog about so many aspects of dance — news from all around, glimpses of many styles, perspectives from teachers, dancers, students… I don’t know where Catherine finds all her material, but I’m glad she does!

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Post-performance reflection: 1st grade

June 12th, 2010 · ···

The 1st grade dance was based on number sense, in 3 parts:

I.  Groups of students grew from low to high, counting from 1-10 in various languages, including Spanish, Vietnamese, Cantonese, Mandarin, Somali, Cambodian, Arabic, Laotian, Tagalog, Cham, Korean, and English.  It was usually their home language, but a few had a language from martial arts, and by the end of rehearsals, almost everyone joined in on the Spanish.  One boy didn’t know which language he belonged with until he heard the numbers; several students went home & asked their grandmas to teach them.

II.  Each student wore a shirt with a big number from 1-100.  They performed a 16-count dance sequence alternating with an improvisational interlude of finding a partner, comparing their numbers & making low or high shapes to show the greater than/less than relationship.  Music: Eric Chappelle, Dancing Digits, Music for Creative Dance, v. 3.

III.  Singing CountBounce from Greg & Steve’s Kids in Action CD, students danced a 16-count pattern for the chorus & made number shapes with a partner & solo, ending in multi-place numbers in small groups.

Here are some of their reflective responses after watching a video of their work (the writing is first-draft, with best-guess spelling!):*

* Ethnic background, as identified by the family, shows if your cursor hovers over the sample.

We have fun on stage! I was danceing with the music! I was happy when I was danceing with joy!

I felt nervous because there was a lot of student and I am making number 7 and my number was 30 I was awsome.

I was number 56 and I work hard to complete my dance I dida good job

It was awsome because I got to spin my leg around my two hands and my other feet. and I saw my baby couziz was crying. I was number forty-eight. I saw alot of student at the performance. The audieance gave us a great aplause for us and the performance was really fun I saw my mom my sister and my baby couzin.

I felt nurvese before and then when we started to dance I felt better and how I can do better is I can not be nervese and scared.

I feel happy when I shine on the stage with my best 95 shirt. My best part was comparing number with the partner.

My nuber is 10 when we have to make small shape we crall very small and when we need to make big shap we stcrech are feet and hand and I feell very happy for parent to look at me

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Post-performance reflection: kindergarten

June 9th, 2010 · ···

First, a rush of relief — the performances came off fantastically!

Then, the rush of all the “to-do’s” that have been piling up… scheduling for next year, plans for end-of-year activities & events, grades for report cards, & post-performance reflections.

Here are some of kindergarten responses after watching a video of their work (the writing is first-draft, with best-guess spelling!):*

* Ethnic background, as identified by the family, shows if your cursor hovers over the sample.

We danced on the stage! I am have fun

We danced on the stage! I was happy about to dance with my frens

We danced on the stage! I felt proud I danced on the stage we did alot of dancedis! we did alot of dance is to showe are femily!

We danced on the stage! I felt nurves

We danced on the stage! I felt proud of myself! and I saw my baby casin and my antie!

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